‘We are preserving a tradition’: how Ghana’s sensationalist film posters became collectible art
Hand-painted works are often wildly unfaithful to the movies they portray – reinterpretations that sometimes resulted in threats, insults and even physical attacks from viewers who felt duped Sitting on his porch in Teshie near Accra, Heavy J dipped a brush into red oil paint and dabbed it carefully on to his canvas – a flour sack – adding blood to a knife being wielded by a man. Higher on the canvas, he had started on an outline of a skull. Heavy J was creating a poster, but not as you might have expected for a horror film. Instead, it was for the animated fairytale The Little Mermaid. The man with the knife wasn’t a killer but the film’s kind-hearted prince, Eric. The skull was also unrelated to the story. “We add more to make people interested,” said Heavy J, whose real name is Jeaurs Affutu. Continue reading...
Hand-painted works are often wildly unfaithful to the movies they portray – reinterpretations that sometimes resulted in threats, insults and even physical attacks from viewers who felt duped Sitting on his porch in Teshie near Accra, Heavy J dipped a brush into red oil paint and dabbed it carefully on to his canvas – a flour sack – adding blood to a knife being wielded by a man. Higher on the canvas, he had started on an outline of a skull. Heavy J was creating a poster, but not as you might have expected for a horror film. Instead, it was for the animated fairytale The Little Mermaid. The man with the knife wasn’t a killer but the film’s kind-hearted prince, Eric. The skull was also unrelated to the story. “We add more to make people interested,” said Heavy J, whose real name is Jeaurs Affutu. Continue reading...

Read the full article on The Guardian
Read Full Article →